Frankenstein: The Impact of God-like Sciences Stemming from Modern Tech

Frankenstein The Impact of God-like Sciences Stemming from innovational TechnologyIn Mary Shelleys novel Frankenstein, Victor Frankensteins life story is the heart of the tale. As a young Swiss boy, he grew up in Geneva reading the works of the ancient and out-of-date alchemists, a background that serves him ill when he attends university at Ingolstadt. There he learns about modern science and, within a few years, masters all in all that his professors have to teach him. He becomes fascinated with the secret of life, discovers it, and brings a hideous monster into the world. The monster proceeds to kill Victors youngest brother, best friend, and wife he also indirectly causes the deaths of two other innocents, including Victors father. Though torn by remorse, shame, and guilt, Victor refuses to admit to anyone the horror of what he has created, regular as he sees the ramifications of his experiment spiraling out of control. This paper focuses on the God-like sciences that are p ortrayed in the novel.      Learn from me. . . at least by my example, how perilous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow (Shelley 101). Victors attempt to play God and Creator is most plainly seen through the perceptions and actions of his creation. The creature is born into the world as if it is a baby, knowing nothing of life. This creatures first off experience as a living existence is organism shunned by its own creator. I beheld the wretch---the miserable monster whom I had created. He held up the mantelpiece of the bed and his eyes, if eyes they may be called, were fixed on me He might have spoken, but I did not hear one consider was stretched out, seemingly to detain me, but I escaped and rushed downstairs (Shelley 43).The monster is reaching out to the only thing he knows thus far, his creator, and is met with disg ust. Victor, being merely human, cannot offer this creature the unconditional love and guidance that God bestows on His creatures. This, in turn, leads to the imminent immoral actions of the creature. As technology advances, civilization grows far from religious beliefs, attempting to become God-like. Instead of living off what is here, humans build their own habitats. Instead of accepting disease and death, hum... ...saac. "The Scientist as Villian." Asimov on Science Fiction. bran-new York Granada, 1983. 65-68.Brooks, Peter. "Godlike Science/ Unhallowed Arts Language and Monstrosity in Frankenstein." New Literary History (Spring 1978) 591-605.Fellman, Gordon. "The Truths of Frankenstein Technologism and Images of Destruction." Psychohistory Review 19 (1991) 177231.Gilbert, Sandra M., and Gubar, Susan. "Horrors Twin Mary Shelleys heartbreaking Eve." The Madwoman in the Attic The Woman Writer and the Nineteenth-Century Literary Imagination. New Ha ven Yale University Press, 1984. 213-247.http//encarta.msn.com- "Shelley, Mary Wollstonecraft," Microsoft Encarta Online Encyclopedia 2005. http//encarta.msn.com 1997-2005 Microsoft Corporation.Joseph, M.K. Introduction. Frankenstein or The Modern Prometheus, by Mary Shelley. Ed. M.K. Joseph. Oxford Oxford UP, 1969. i-xx.Shelley, Mary. Frankenstein or The Modern Prometheus. Ed. M.K. Joseph. Oxford Oxford Up, 1969.Spector, Robert Donald. Introduction. Seven Masterpieces of Gothic Horror. New York Bantam, 1963. 1-12. Tillyard, E.M.W. Myth and the English Mind. New York Collier Books, 1961.